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In the beginning, God said, "BANG!" The evelenniun and the mornlennium were the first day. It was BIG! And God said, "That'll do."
| 185.3 cts. Donated to Smithsonian in 1984. | Credit: J. J. Hester, Arizona State University (and NASA) |
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| All things work together for good to them that can see and will acknowledge the Lord in all things. |
The Treasures of Darkness Story "And I will give thee the treasures of darkness, and hidden riches of secret places that thou mayest know that I, the Lord which call thee by thy name, am the God of Israel." Isa. 45:3
The Opal Book , written by Frank Leechman, describes a famous opal named Burning of Troy as:"probably the largest and finest opal in the world in Napoleon’s day and was reputed to have measured 4 x 2-1/2 inches. On that basis, it would weigh it might be a Honduras opal on account of its black back. For a few short years in the French court it flashed like a soaring meteor, only to be suddenly extinguished and disappear. Napoleon at the height of his power bought it for his Empress, the lovely Josephine. She died five years after her divorce and the opal – if she still had it – was lost to the world. A hundred years later it was known to have been acquired by the city of Vienna, which valued it very highly. So much so, that when the beautiful Austrian capital was experiencing a period of great distress after the defeat of the Great War, the city fathers refused an offer of 25,000 Lire for it. Where it and the other marvelous opals which were in central Europe are now, must remain a matter for conjecture, but we may be sure that one day they will appear again to show their beauty to the world." The world waits no longer. The Treasures of Darkness collection exhibits the same qualities and derives from the same location as Napoleon’s Burning of Troy. These stones’ 30-year journey to their present location follows. A move to Memphis, Tennessee in 1975 ushered into my life a set of circumstances that eventually produced the beautiful opal collection sampled here. It was there that I took advantage of an opportunity to join a short-term missionary effort in Honduras – that of building a church for a poor community . Finishing this project a few days ahead of schedule, our group took to the streets and rural roads of the area in sightseeing adventures. Almost everywhere we went, locals approached us with bottles of water containing chips of black opal, hoping to make a buck or two by their efforts. I obliged them with the purchase of a few. Noticing my interest in the local gems, our missionary contact suggested that I might want to visit the mine where the locals had gathered the chips. I was intrigued and he led the way. The mine appeared less than spectacular. It was just an open field in the jungle, with ground disturbances here and there, but it was to yield its hidden riches to me. The missionary, a friend of the mine owner, spoke to him in Spanish and, momentarily, the owner motioned for me to come to a particular area. Spanish conversation followed between the two men roughly translated as: "Here’s an area where we’ve recently noticed some really good ore. You dig what you want and we’ll weigh it on your way out." I brought out about 60 pounds of opal-bearing rock. Fortunately, I had brought several suitcases on the trip. (Each of our group had provided his own food for the 10-day jaunt.) Having emptied one of them, I redistributed the rest of my belongings so as to provide room for some of the ore in each of my bags. Transporting them through the U. S. Customs inspection station, I presented my declaration: "Raw Opals" to the inspector. "Raw opals, huh?", the inspector quizzed. "Do they have any commercial value?" "I sure hope so," I replied. "I’m pretty much of an opal expert, myself," he said. "Let me see them." I opened the leading bag and extracted some ore samples. The inspector, an older gentleman whom I later learned was about to retire, began licking the ore and holding it up to the light. My co-workers in line behind me, who had previously teased, "Marshall and his rocks!", quickly saw fodder for a continuation. "Now he’s gonna hit you with a big duty on those things," they chimed. The inspector was unmoved by their taunting. He continued licking and looking. "Is this all you’ve got?" I told him that I had placed some in each bag in order to distribute the weight and he asked me to open each one. Inspection continued for an apparently longer than real amount of time and finally, "I’ve seen opals come through here for more than 30 years and these are the best ones I’ve ever seen," the inspector said rather matter-of-factly. He continued, "I’m gonna share a little secret with you that few people know," and, with that, he scratched some changes on my documentation and handed it back to me. "Now, because of the changes I’ve just made to your declaration, neither I, nor anyone else, can charge you any duty. I hope you make a fortune off them!", he said with obvious pleasure. My friends’ mouths dropped open as I quickly closed the cases, thanked the inspector and walked into the U.S.A. Back home in Memphis, I began puzzling about what to do with my ‘best ones’. An idea to sell small pieces of the raw stones in National Enquirer popped into my head, so I sent a small ad and the required fee of $500.00. I had offered the pieces for only $5.00 each. To my astonishment, I shortly received an envelope from N E which contained my check! National Enquirer had rejected my ad! It wanted a written appraisal of each stone! Go figure. The prospect of losing many dollars on each potential transaction loomed large in that scenario. Back to the drawing board. Possessing no training or knowledge about black opals, I began to read everything I could get my hands on about the subject and looking into the possibility of polishing the stones myself. I bought a 6-wheel grinding machine and with bits and pieces of information gleaned from area laps, I ‘trialed and errored’ my way through a few pieces of rough. The product of one of those efforts came out pretty well, I thought, so I took it to a local gemologist for an appraisal. The stone weighed about 14 carats and it very pleasantly surprising valuation was $14,000.00! Now, I began polishing in earnest, but the next time I took a stone for appraisal (to a different ‘gemologist’) I was told that the material was essentially worthless! This feast or famine appraisal experience continued for years. I later learned that the ‘famine’ appraisals were made by so-called ‘gemologists’ who weren’t really credentialed and hadn’t even seen that type stone before. One of these ‘gemologists’ told me that the material had been treated by cooking in sugar! Since I had brought them out of the ground, I KNEW that wasn’t true, but authentication as natural, untreated black opal had, thus far, eluded me. In my research of the gem world, I discovered the Gemological Institute of America (G.I.A.), an organization of highest repute that trains gemologists and is considered the world authority on gem stone identification. Surely they could remove me from the quagmire of my dilemma. I called the G.I.A. and arranged to send 2 stones for their inspection, telling them to perform destructive tests, if necessary, in order to, once and for all, authenticate the material. A few weeks later came the long-sought credentials: "Natural, Untreated, Honduran Black Opal". I was elated. But, for all the G.I.A.’s credibility, integrity and expertise, it could not, alone, mitigate the appraisal inequities I had experienced. Probably in an effort to protect a source of their income (Australian opal producers), some gemstone appraisers espouse the erroneous philosophy that the only good black opals come from Australia. When I questioned one such appraiser (who had just appraised one of my stones) about the identification and low valuation he had placed on the gem, while I watched and listened, he made three phone calls to the G.I.A. arguing his opinion. Although the G.I.A. could (and did) force him to give me an appraisal indicating the true identification and carat weight of the stone, it could not force him to value it at any certain price, and, in his anger at the G.I.A. for forcing the proper identification, he refused to change his valuation of the stone as if it had been a sugar-treated low quality variety. My quest for the stones’ proper validation, however, did not abate. One of the stones I shaped from a much larger piece, was a 120-carat broad flash beauty much like that described as Napoleon’s stone. I carried it in my pocket for longer than a decade and told everyone who would listen that I was going to donate it the Smithsonian Institution someday for a big tax deduction – an idea spawned by Governor Winthrop Rockefeller while I was working on his staff years earlier in Arkansas. More than a few people laughed at my optimism, but the day came when I found myself close to the institution and decided to pay a visit. Arriving a little before noon, I spied a notice posted on the public bulletin board. At 1:00 p.m. that day, a free gem identification and authentication symposium was scheduled. It was more than I could have hoped for. My wife and I grabbed some lunch close by and returned at the appropriate time. The meeting, surprisingly unstructured, was composed of a dozen or so Ph.D.’d volunteers, who were inspecting trays of materials. One, who greeted us, eagerly inquired what we had brought for authentication. When I showed her the contents of the cardboard box I pulled from my pocket, she caught her breath and quickly began calling others from their posts to look at the black opal. After much oohing and aahing, someone said, "Mr. White needs to see this," and shortly a "Mr. White" appeared at the table. (Later, I would learn that "Mr. White" was John Sampson White, the Smithsonian’s Curator.) I explained to Mr. White that my interest in bringing the stone to them was a part of my continuing effort for its proper validation and that I was sure, in my own mind, that the Smithsonian would own a comparator stone. If it did own such a stone, I just wanted to see it. Mr. White replied that the institution had nothing like the stone he held in his hand. Somewhat incredulously, I said, "You don’t have a single opal like this one? This is the Smithsonian!" Mr. White reiterated his claim and added, "No, we have nothing like this. If we did, it would be on display in the gem room with the Hope Diamond." My incredulity turned into astonishment. Again, I questioned Mr. White, "Are you telling me that, if you had a stone like this one, you would put it on display in the gem room with the Hope Diamond?" Mr. White replied that he was saying exactly that. "Here. You’ve got it," I said, as I handed him the box that had held it. The little crowd of inspectors began applauding the gift, both verbally and manually, and one small lady of advanced age who had been standing behind my wife, began jumping up and down and clapping! Gratification can’t come close to describing how I felt at that moment. Although Mr. White explained that the Smithsonian was not permitted to appraise any of its contributions, he did offer the names of a few appraisers whose reputations were acceptable to the Smithsonian. I picked one from the list and Mr. White arranged for the contact, explaining that I would be required to pay for the appraisal. No problem! About two weeks after returning home, I received a call from the chosen appraiser who informed me that he was transporting the stone from the Smithsonian to his lab for the formal appraisal process. "Don’t worry about the stone’s safety," he said. "I’ve insured it for $100,000.00." Sure enough, when the formal appraisal was received, the valuation was $101,000.00. Finally. My "best one" had been identified and authenticated by the Smithsonian Institution and appraised by one of the most respected appraisers in the gem world. The gems you see on this site are from the same material and location as the Smithsonian stone. But all was not to be henceforth happiness with the opals. A number of years later, having donated several smaller stones to the G.I.A., I was invited to attend a dinner meeting in Tucson where I was to receive an award from the group. Since Tucson was hosting a giant gem show that week, I took my opals to exhibit. When my wife and I left the show that night, the weather was very cold and I put on my topcoat over my suit for the short ride to the hotel. Not wishing to call attention to the gems, I dropped them into the pocket of the topcoat. In the morning when we left for home, the weather had warmed a bit, so the coat was just deposited in the back seat of the car. When we arrived home, the opals were not in the pocket of the coat! Frantic searches and calls to the hotel brought no good news and, eventually, we came to say that the opals were just gone. Years and much life passed. We moved 1,500 miles from our then home to a much colder climate and the topcoat came along. Sometime during the first winter there, I took the coat from the closet and put it on for the first time since the Tucson experience. Wearing it while sitting in the car, I felt an unevenness in the weights of the sides of the coat. Upon further investigation, I found that the thin, flat, soft leather bag that contained my opals had somehow made its way between the two linings of the coat and become trapped at the hemline on the left side. There are no words to express the ecstasy of reaching into the lining of that coat and pulling out that bag of precious black treasure. These opals have been in my private collection for more than 30 years. None has ever been sold, although many people have tried to buy one or more of them. 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